Ultraman Omega 05 Review |Going Ultra – Going Ultra – Presented by Henshin Inspection
What did you think of Ultraman Omega episode 5?
What do you think of this type of oddball episode? Do they feel special or distracting to you?
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Ultraman Omega Episode 5 Review – “Miko and Mikoto” and the Weight of Grief
Focus Keyword: Ultraman Omega Episode 5 Review
Meta Description: Ultraman Omega Episode 5, “Miko and Mikoto,” is one of the strongest and most mythic episodes yet. A story about grief, love, and sacrifice, blending kaiju and human drama with emotional weight.
A Transcendent Episode
This episode of Ultraman Omega is fantastic. It’s definitely the best Omega episode so far, and I’d bet it will rank in the top three of the entire series.
It’s one of those transcendent episodes that goes beyond Ultraman and becomes simply great television and great storytelling. The episode feels much more mythic than science fiction, drawing on folklore and deep emotions rather than spectacle.
Kaiju as Gods, Not Animals
I was reminded of something @Ultrakyriel (a fan and commentator I follow) has said: kaiju aren’t just giant animals—they’re closer to gods. That framing really fits here.
The kaiju in this episode is Ohibinushi, the serpent deity beast. First discovered as a tiny creature in the woods, he becomes a companion for a grieving girl named Miko. She names him Mikoto. At first small enough to hold in her hand, Mikoto grows as he draws energy from her—literally draining her life as he feeds.
The story draws on a local legend about a snake god who fell in love with a woman. Whether intended or not, the parallels are clear.
Grief, Friendship, and Family
Miko is living with her aunt after losing her mother. Her grief isolates her, but when she discovers Mikoto, she pours her affection and energy into him. He becomes her pet, her friend, maybe even a surrogate family member.
There’s a theme of family and friendship woven through. Sorato is introduced to the word tomodachi (friend), and the story blurs the lines—friends can be family, family can be friends. Sorato’s own role as an alien learning to be human mirrors Miko’s search for connection.
But Mikoto’s growth is dangerous. His life drains hers. Silver streaks appear in her hair as a visual marker of the cost. Her aunt becomes worried. Eventually, even the aunt is harmed. Mikoto is not just a comfort—he’s a threat.
The Weight of Sacrifice
The tragedy is that Miko doesn’t want to let go. She wants to stay with Mikoto despite the harm. And Mikoto, in his own way, seems to understand this. His solution is to fight Ultraman Omega—to force his own destruction so Miko can be freed from him.
This fight is staged with real weight. The music drops out, leaving silence and tension. The puppetry gives Mikoto unexpected emotion—at times it even looks like he’s crying. When Omega finally slays him with the Slugger, Mikoto dissolves into cherry blossom petals.
The symbolism is striking. Cherry blossoms in Japan are tied to both beauty and death, a fleeting life cut short. Was Mikoto’s purpose as a god to die so Miko could learn to live again?
Creative Strength Behind the Episode
The writing and direction stand out here.
- Writer: Masaya Honda – Known for work in Ultraman Arc, including episodes like Message, You Are Givas, and The Man in the White Mask. All deal with grief, suffering, or strange affection for otherworldly beings. His touch is clear in “Miko and Mikoto.”
- Director: Tomonobu Koshi – A veteran of the Ultra Series, with credits going back to Ultraman Max. He directed several standout Arc episodes as well. His staging, use of silence, and compositing work here are excellent.
The combination of Honda’s writing and Koshi’s directing creates something special.
Sorato’s Burden
The contrast between characters also matters. Kosei sees Mikoto’s destruction as a victory—just another kaiju defeated. Sorato knows better. He feels the burden of killing not just a monster, but a girl’s companion, her family.
That duality adds weight. Sorato carries the tragedy while Kosei remains oblivious. It deepens Sorato’s role as a character who bears the costs of being Ultraman.
Final Thoughts
I don’t know exactly what this episode is saying about grief, love, or kaiju. Maybe it’s about letting go. Maybe it’s about how some loves are unsustainable. Maybe it’s about gods who die to teach us how to live.
Whatever the meaning, “Miko and Mikoto” stirred something in me. It’s paradoxical: I don’t fully understand it, but I love it. The emotional resonance is undeniable.
This episode is Ultraman Omega at its best—mythic, tragic, and deeply human. I’d love to know what you think. Did I miss something? Did I hit close to the truth? Let’s discuss in the comments.
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MJ Muñoz 